Sam Wolk is a new media artist living in New York. His work explores crossovers between analog and digital media in the realm of generative systems, engaging a variety of forms, including 16mm film, bookmaking, audiovisual and interactive installation, performance, archival research, and experimental animation. His work has been presented at the Österreichisches Filmmuseum (Vienna, AT), Beton7 (Athens, GR), the Carpenter Center for the Visual Arts (MA), dA Center for the Arts Pomona (CA), John Knowles Paine Concert Hall (MA), the Loeb Experimental Theatre (MA), and elsewhere.

He graduated from the Visual and Environmental Studies Program (VES) at Harvard College, where he also worked at the Harvard University Studio for Electro-acoustic Composition (HUSEAC). He has worked as a studio/research assistant and software developer for several artists, including Cheyney Thompson, Eli Keszler, Jacqueline Kiyomi Gordon, Eric Frye, Lucien Castaing-Taylor, Véréna Paravel, and Luke Fowler. He previously worked as live electronics engineer for composer Dániel Péter Biró. He does freelance Max/MSP, Processing, Arduino and Web development for sound and installation works.